
Ms. Spektor turned out to be one of the most pleasant surprises of the concert series. She could be compared favorably to other female vocalists who perform a significant portion of their work on piano, such as Tori Amos, Fiona Apple, or even Norah Jones. However, just as they maintain a distinctive voice, so can Ms. Spektor be distinguished from her peers. Her music is haunted by traditional jewish folk-music, and influenced by jazz and the American independent sound... but she still gives it her own particular spin. I had heard her before briefly on NPR, and several of my friends were enthusiastic about her work, but I remained unsold.
Then I saw her live. While she sounds great prerecorded and on disc, her performance live is nothing less than amazing. Her most recent album feels overproduced, with unnecessary accompaniment - and on stage you have only her and her instrument and her voice. Her audience was exceptionally supportive, and stood transfixed in appreciation. This was not a concert to yell in excitement at, but one to absorb in admiration. One of my companions commented that she would have been better to see in a concert hall, for that was the ambience that we drew off the crowd.
She also fed off of the energy of that crowd. She was as delighted to be there as her audience was to listen. This was a woman who loved her job, and she poured that enthusiasm and appreciation right back into the audience who wanted to be there to hear her in a warm and fuzzy feedback loop of happiness.
It didn't hurt that she is the kind of cute that you just want to reach out and pet on the head like a puppy...